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Im Jahre 1847 veröffentlicht die damals 31-jährige Charlotte Brontë "Jane Eyre. Eine Autobiographie" (Im Original "Jane Eyre. An Autobiography"), den Klassiker der viktorianischen Romanliteratur des 19 Jahrhunderts.
Erzählt wird die Lebensgeschichte von Jane Eyre, die nach einer schweren Kindheit eine Stelle als Gouvernante annimmt und sich in ihren Arbeitgeber verliebt, jedoch immer wieder um ihre Freiheit und Selbstbestimmung kämpfen muss.
Noch in der Nacht vor der Hochzeit entdeckt Jane ein schreckliches Geheimnis: Im obersten Stockwerk des Hauses hält ihr zukünftiger Ehemann seine wahnsinnig gewordene Frau versteckt.
"Jane Eyre" ist ein Roman der Leidenschaften und Gefühle, der lauernden Stimmungen und eines frisch erwachten Lebenshungers.
Es war der erste Roman, der der weiblichen Erfahrung von Machtlosigkeit in dieser Form eine neue Stimme gab. Es war überhaupt das erste Buch aus der Perspektive einer jungen Frau.
"Ich bin kein Vogel, und kein Netz und kein Vogelsteller vermag mich zu fangen. Ich bin ein freies, menschliches Wesen mit einem unabhängigen Willen, und jetzt mache ich denselben geltend, indem ich Sie verlasse.", sagt Jane Eyre zu dem Mann, den sie liebt.
Der Romane wurde mehrmals für Theater, Film und Fernsehen bearbeitet.
Mit 15 Zeichnungen von F. H. Townsend
2. Auflage
Umfang: 809 Normseiten bzw. 886 Buchseiten
- Published on: 2015-03-31
- Released on: 2015-03-31
- Format: Kindle eBook
Most helpful customer reviews
224 of 250 people found the following review helpful.
wuthering heights editions
By Jordi Vilalta Lopez
Rather than delve on the contents of this strangest and strongest of English novels, so intensely poetic in its haunting darkness and otherness, I'll comment briefly on the best editions available for a good first contact:
A) Text oriented editions (that is, editions with few materials added: normally an Introduction, annotation, and perhaps Charlotte's Peface and Biographical Notice and some bibliographical indications).
1. Oxford World's Classics: authoritative text, good annotation,
excellent introduction.
2. Penguin's Classics: same as above, everything looks a little shorter but is excellent nonetheless.
3. Wordsworth Classics edition. This would be a rather fine edition as befitting this collection, if it had a good 1847 text and not the heavily tampered-with Charlotte's 1850 edition. The text itself reflects accurately that of the 1900 Haworth Edition -a careful one-. The wording changes aren't perhaps so worrying nor is the toning-down of the dialectal tirades -although funny and useless-. What is worrying is the disappearance of more than six hundred paragrapph entries (I mean just the paragraphing, not the contents itself!), that makes for a different -and worse- reading experience. Very good and full -if brief- annotation. Mass-market, glued paperback.
4. Heather Glen's for Routledge. One of the finest text-oriented editions, especially for the excellent Introduction and Epilogue together with its good annotation, out-of-print for rather obscure reasons. If you find still a very good to fine copy at amazon Canadian branch (or at abebooks.com, it would be a good buy.
5. Orchises two-volume facsimile reprint of the 1847 edition. No notes nor any additional material. the books are well produced if a little expensive. Very interesting item, but only suitable for textual scholars or would-be scholars, or otherwise for fetish-oriented WH-maniacs.
B) Study-oriented editions (i.e. editions that contain additional contextual information: early reviews, selection of Emily's poems, critical essays, chronologies of the novel or of the Bronte family...).
6. Norton's Fourth Edition (current item): OK, the text is still a little idiosyncratic, but the notes are much improved, and so is everything else (with the anthology of poems, and the critical essays). A very fine study edition but also suitable for a first contact, although annotation is still on the scarce side. Good paperback production without flaps but signature-sewn (or so it seems) and good paper and printing quality (albeit with a rather small type).
7. Broadview edition by Beth Newman: it's one of the best study editions overall. There are some minor textual foibles and the annotation is decidedly scanty (to make amends for Heywood excesses) but good and accurate, and both Prof. Newman ecellent Introduction and the selection of the additional contextual material is, arguably, the finest ever (including the very interesting document on "Brain fever"). Materially speaking, it is a good paperback without flaps with good paper and printing quality (like Norton Critical, although I can't ascertain without tearing apart my copy of Beth Newman's that it be signature-sewn instead of glue-only "perfect binding). In any case a very good buy.
7. Alison Booth's for Longman Cultural. Other of the very best study editions available. The text is deadly acuurate -except for some 1850 unobtrusive detail- on the
Clarendon 1976 reference critical edition, although the punctuation -like Norton Critical, Broadview's Newman and Oneworld's one- has been silently lightened and modernized throughout. It looks like glue-only "perfect binding" paperback, but perhaps it is signature-sewn. Paper and printing quality are good enough. The only misgiving I have is the overdone fragmentation of contextual material (good and relevant material though it is): there are 40+ items, many of them very short or they wouldn't fit into 430 pages. One of the best possible buys.
8. Onewold's Classics edition. A fine paperback edition with flaps, very good paper and printing quality and (I rather surmise than know for sure) signature-sewn. The text looks like 1847 in paragraphing but it takes in too
many of 1850 "improvements" and is wrong at some places: it's short of a disaster, but rather non-reliable (in spite of the well-meant efforts by the almost anonymous editing panel who perpetrated it). Annotation is good and comprehensive enough, but the contextual material is rather scanty and run-of-the-mill non-commital.
9. Barnes&Noble's Tatiana Holway edition (hardcover). To say it promptly the only fault with this lovely edition (but, as stated above in wordsworth Classics edition, a really big fault) is its accurate and reliable 1850 Haworth Edition text. Other than this, it looks as a popularly oriented edition, but with quality marks. The Introduction by Daphne Merkin is good enough, the annotation by Holway is really excellent. Supplementary material is very scanty: the "Charlotte's prefatory materials" of 1850 (prefixed to the text, which is a pity), and some comments about film and TV adaptations as well as some chosen excerpts of reviews. Material production is outstanding: nice hardcover with dust jacket, good paper and printing quality, the only good available edition in a becoming format (Clarendon Edition is very hard to come by nowadays: say one to three years to pin it down). Don't forget the Franklin Mint editions of the sixties and seventies if you are interested in a very beautiful book with a reliable 1847 text and illustrations by Alan Reingold (and nothing else).
420 of 480 people found the following review helpful.
Do not miss out on this book...
By KayBee
You know all those 'classic' novels you read in high school? How many of them do you actually remember? Well, if Jane Eyre was one of those long-forgotten books, pick up a copy. To read it as an adult is a joy: it's a sweeping, disturbing, intense, thrilling, very romantic gothic love story, written in the voice of a very intense, almost claustrophobically self-aware young heroine. Jane is no Ophelia - she's a complicated, remarkable character, and a very strong female character in a genre that usually draws women as beautiful victims at best.
There's something for everyone in this book: Windswept castles, difficult and neurotic family members, dark secrets about tragic former lovers, good triumphing over evil, all that good juicy stuff that makes a great romantic story. What elevates Jane Eyre is Bronte's remarkable style & skill and her sharp and complex characterizations.
Trust me on this: If you don't remember it from your teens, you should give it a try now. Here is one novel that more than lives up to it's 'classic' status.
2 of 2 people found the following review helpful.
Jane was a sweet person ♥
By Melissa Martin's Reading List Blog
I felt really sorry for Jane when she was a child living with her stepmother and three kids. They were so horrible to her, they hit her, verbally abused her, they just sucked as people!
When Jane was so down and seemed to me to have a little bit of a mental breakdown from all that was done to her, a nice man came to visit her and see that she was okay. Mr. Lloyd asked Jane many things and one of them was about her wanting to go to school. These string of questions and kindness from Mr. Lloyd led Jane to be placed in the Lowood school for charity cases. Jane learned so many things from the school. When she first got there though, the school was run by some prickly people that over time either didn't bother her, or they went away. The overseer of the school, a Mr. Brocklehurst, was a complete •ss to the girls. I despised him. He would come in spouting stuff about God not liking girls with curls or braids and they could never dress up (not that they had means to do this). He was just a horrid man, he made them get all of their hair cut. Please dude, God doesn't care what girls do with their hair but you should be worrying about where your going to spend eternity!
Jane had a wonderful friend named Helen Burn and it broke my heart when she died. A lot of the girls died when the disease came through. The only thing good that came out of this was that some people started paying attention to the school and made sure they started feeding the children right and did good by them.
Jane ending up teaching some of the younger girls when she was eighteen until she procured a job teaching a young girl named Adele at Thornfield Hall. I enjoyed reading about Jane's time there even though it went off the rails a little bit when she found out some things about the owner of the house. Mr. Rochester seemed to be a strange man to me, but him and Jane fell in love. They were to be wed... but some stuff got in the way. Some really strange and sad stuff.
Jane ended up going away for awhile and was helping out St. John in ministry. Some stuff happened with him and Jane is off again. She comes back to Thornfield Hall and finds out the misery that befell the place.
Jane did reunite with some old friends and loves lost. It was a sweet, if not a little, sad of an ending.
♥ Thank you for taking the time to look at my review. ♥
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